about alexis
Praised for her “assured, empathetic soprano” (Opera Today), Alexis Seminario is establishing herself in repertoire spanning Mozart, Puccini, Verdi, Wagner, and contemporary opera. This season, she joins LA Opera’s Domingo-Colburn-Stein Young Artist Program, where she makes her company debut as Anna in Verdi’s Nabucco.
A highlight of Ms. Seminario’s career came during her summer as a Renée Fleming Artist at the Aspen Music Festival, where she debuted as Gertrud in Hänsel und Gretel under Patrick Summers. In the festival’s closing performance of Act III of Die Walküre, she stepped in for Tamara Wilson as Sieglinde under Robert Spano, alongside Christine Goerke and Greer Grimsley, while also singing Helmwige. The Wall Street Journal wrote that she “made a most favorable impression.”
In the 2025/26 season, Ms. Seminario returned to The Atlanta Opera as a Studio Artist, covering Liù in Turandot and the Countess in Le nozze di Figaro, while performing Félicie and Adélaïde in Philip Glass’s La Belle et la Bête and Annina in La traviata. She concluded the season with her second summer as an Apprentice Artist at the Santa Fe Opera, where she made her company debut as the Matron in the American premiere of Tobias Picker’s Lili Elbe and covered Cio-Cio-San in Madama Butterfly.
During the 2024/25 season, Ms. Seminario continued her residency with Palm Beach Opera, where she covered the Countess in Le nozze di Figaro and Clotilde in Norma, and performed excerpts from Suor Angelica. She subsequently joined the Santa Fe Opera as an Apprentice Artist, covering Miss Jessel in The Turn of the Screw and Ortlinde in Die Walküre. In the season-ending Apprentice Scenes, she performed Rosalinde in Die Fledermaus in a scene conducted by Iván López-Reynoso and staged by Patricia Racette, and received Santa Fe Opera’s Anna Case MacKay Memorial Award for her artistry that summer.
On the concert stage, Ms. Seminario made her Richmond Symphony debut as soprano soloist in Dvořák’s Te Deum and joined The Orchestra Now as soprano soloist in Brahms’s Ein deutsches Requiem.
In previous seasons, Ms. Seminario covered Donna Anna in Don Giovanni, Woglinde and Wellgunde in Das Rheingold, and Kate Pinkerton in Madama Butterfly with The Atlanta Opera. She spent two summers as an Apprentice Artist with Des Moines Metro Opera, covering the leading role of Soldier in The Falling and the Rising and Rose in the world premiere of A Thousand Acres. Her scene assignments included Female Chorus in The Rape of Lucretia, Fiordiligi in Così fan tutte, and Antonia in Les contes d’Hoffmann.
Ms. Seminario was Grand Prize winner of the 2025 Butler Opera International Competition and a finalist in the 2025 Houston Grand Opera Eleanor McCollum Competition for Young Singers. Her additional honors include finalist recognition in the 2026 Partners for the Arts National Opera Competition and a Southeast Regional Finalist placement in the Metropolitan Opera Laffont Competition. She holds a Master of Music from Bard College Conservatory and a Bachelor of Music from the Manhattan School of Music.
Management: Devere Burnett • devere@imgartists.com • DE: +49 162 2880225 / US: +1 (414) 458-1034